От Michael Baryshnikov (2:5023/24.3243) к All
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Hello All!
Залиты диски Spheroe:
(1975)_Spheroe
(1978)_Primadonna
Интересная фьюджн-группа из Франции.
Ну, как интересная? Если вы хотите услышать в ней что-то французское, то - нет - не дождётесь, они играют "классический американский" фьюджн 70-х: Маховишну Оркестра, Ретурн ту Форева и всё такое. Знаменитой "французской изюминки" тут нет, но отличные композиции, отличное владение инструментами и прочее прочее прочее - всё отличное.
Однако, именно это отсутствие оригинальности их и сгубило...
Данные рипы сделаны с японских ремиксовых мини-дисков, и миксы, иной раз, весьма странные. Предупреждаю заранее.
ВЕСЬМА РЕКОМЕНДУЮ!
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(c) Spheroe biography, PA
Despite having a stable career for almost the whole 70's decade, Spheroe remained widely unknown to the public for a long time. The band was formed in 1972 and consisted of Patrick Garel on drums/percussion, Gerard Maimone on keys, Rido Bayonne on bass and Micheal Perez on guitars. Spheroe had a good live activity, but had to wait until 1977 for their first official release. The self-titled LP was originally released on Cobra, later to be presented on CD format by Musea Records. Obviously influenced by Return To Forever and in a lesser extent Brand X, the band delivers highly-energetic jazz/fusion rock with tight performances and impressive musicianship. The pieces associate fever, nervosity, sometimes serenity but always musicality. Spheroe is into delicate, smooth, contrasted and impressionist music, based on melodic and harmonic research. Especially keyboardist Gerard Maimone had to be a great Chick Corea fan, his electric piano work is very solid and professional, but he also delivers strong doses of moog solos. Apart from the typical groovy and filled with interplays parts of the album, there is also lots of space for Michael Perez to show his talent with nice solos and decent melodies, while in some moments the music gets really dark with obscure guitar chords and massive 'in your head' synths, creating a haunting atmosphere. This is a quite good release from a lesser-known band with both enjoyable and well-arranged jazz/rock music, fine interplays and always an intensive delivery. Recommended, especially to the fans of the genre.
Personnel:
Gerard Maimone - electric piano, moog, Korg, vibraphone, piano
Michel Perez - guitars
Rido Bayonne - bass, percussion
Patrick Garel - drums, percussion, keyboards
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Spheroe
(c) Review by b_olariu, PA
Spheroe is a french jazz band from the late '70's. From the first listen I was impressed by the up tempo of the album, very energic and well played. I'm not agree with some of the reviewers from here that first album of this band is bad, not at all. Full of catchy interplays between the guitar and keys. They incorporated in their music some elements from jazz, latino jazz. It can't be compared with DiMeola for ex for the latino part , they are more towards Iceberg from Spain, at if for the jazz moments they are realy good and well executed. While this album is entirely instrumental, the musicians had enough space to show that they are capable to create something worth investigate by jazz lovers and prog listners aswell. Every pieces stands for me as good, well ok, nothing groundbreaking here, but this is not bad , not by far. The best tracks are all with a plus on the two pieces over 12 min, great musicianship and up tempo compositions. Maybe Spheroe is a forgotten band from France and aswell from jazz movement , but I think they desearve a better recognition. I will give 3 stars for sure, a good album all the way, but nothing close to masterpiece or something alike. Anyway Spheroe first from 1977 album and aswell the second one desearve some spins. Similar band Iceberg. The reissue of the both albums were made by Musea Records in 1998, so don't hesitate to give them a try.
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Primadonna
(c) Review by Sean Trane, PA
Second (and last) album from this later-70's JR/F French quartet (the standard prog line-up as RTF); well within the artistic continuation of their self-titled debut album, even if the pieces on Primadonna are a little more elaborated. Ten tracks ranging from 1.5 to 8 minutes of instrumental fusion, mostly penned by keyboardist Gerard Maimone and drummer "Cactus" Garel make this Swiss-recorded (in July 78) album a fairly-usual artefact of those days in French prog scene, graced with back-alley artwork. Musically, this album is nothing to write home about, despite the group's relatively virtuoso capacities and apt songwriting, but there is nothing to differentiate it from dozens of other groups of the times. Obviously taking their blueprint from an RTF inspiration, their music sounds like a cross of Brand X and RTF, with a very funky bass, courtesy of African-origined Ribo Bayonne. Unlike a lot of French group, Spheroe doesn't seem to have been affected by the cumbersome presence of Magma in the French skies and concert circuit, as they don't sound Zeuhl at all. In the jazzy side of the French rock realm, Spheroe were not alone outside the Kobaian gravitation zone, but they don't sound like the Moerlen-lead Gong, but a bit more in the Transit Express mould, but if Primadonna doesn't lack energy, I wish I could say the same about enthusiasm and inspiration. This has a bit of a going-thru-the-motion feel, just content of doing what it does (well), but not searching for its identity. Don't get me wrong here, this is a fine album that consolidates the genre, but it breaks no ground at all.
The Musea re-issue (now in a Mini-Lp format, made by MALS in Russia) is an interesting but not essential addition to the JR/F-inclined proghead, but as mentioned above, the movement was slowly coming to an end, and Spheroe were not the most original group of the French scene.
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Enjoy!
WBR, Michael Baryshnikov.
--- wfido
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